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12/15/09
Whoever Slew Auntie Roo? (1971): Winters’ Yuletide Celebration


Whoever Slew Auntie Roo? belongs in the great tradition of questioning films that started back with 1962’s Whatever Happened to Baby Jane? Unfortunately, where that great film contained excellent performances from Bette Davis and Joan Crawford, Whoever Slew only boasts Shelly Winters going so far over the top that I thought she might bring an arm wrestling subplot in anytime. Yet if it wasn’t for Miss Winters, this flick would have been pretty dull. I got only a modicum of enjoyment from it, but at least it was a different kind of Christmas horror. Actually it's more of a Christmas thriller. There’s no killer Santas (or Santa killing), but using Christmas as a backdrop to the fairy tale takeoff works pretty well. The whole thing is saved by Jimmy Sangster, a veteran of the Hammer horror productions, who drops an enjoyable EC comics style twist into the last few minutes.
This film seems a bit different than the Poe films or Motorcycle movies that dominated American International Pictures slate around the same time as this film. Whoever Slew Auntie Roo? was made by an arm of AIP, American International Productions, which also made the films Witchfinder General, Frogs, and The Oblong Box. When the film was brought to distribution in the United States it was given the shortened, singsongy title Who Slew Auntie Roo? Director Curtis Harrington was big into inquisitive movies at the time and same year he would make What’s the Matter with Helen? also starring Shelley Winters. He would go on to direct the 1974 TV film Killer Bees, the supernatural film Ruby (1977). Harrington was surely a competent director, and the film has some as well shot moments thanks to cinematographer Desmond Dickinson (Trog, Tower of Evil). Still it retains the same flat, low budget style that viewers of AIP pictures have become accustomed to with the Corman Poe films, and it never shows off any kind of cinematic flourishes to set it apart.
What really saved the film from being rather plain are the three main performances. There’s not much to say about Shelley Winters than I’ve already said. Her performance is spectacularly over the top, and watching her sing and dance while wearing a cross between funeral garb and a flapper is quite amusing. Surprisingly, the best actors in the film prove to be the two children. Mark Lester perfectly captured the mischievous nature of Christopher, and Chloe Franks did the same with the innocence of his sister Katy. Lester would go on to get the lead role in the 1971 version of Black Beauty, and he worked six more years before fading from the screen. He does have a part coming up though as King Harold II in the 2010 production of the historical epic 1066. Miss Franks would continue to work for many years as well though mostly in television. She also has a connection with another Christmas horror with her role as Joan Collins’ daughter in the “All Through the House” segment of the 1972 Tales from the Crypt film.
All in all, Whoever Slew Auntie Roo? is an average film that only piqued my interest due to its Christmas connection. Unfortunately the holiday themes are far overshadowed with the Hansel and Gretel story. If you’ve made your way though most of the Christmas horrors and are looking for something off the beaten path, then it’s not a bad film to watch, but I wouldn’t rush out to see it. There are far better Holiday horrors, and in the end, it’s not even that interesting to find out the answer to the titular question.
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